Shock and satire
Just as Olive Schreiner had drawn fire from the colonial elite for her liberal views, so did William Plomer, decades later, shock colonial society with his novel Turbott Wolfe (1926), written when he was only 19 years old. It tackled the highly sensitive issue of inter-racial love, though it is hardly a roistering sexual chronicle. It was, however, an indictment of white South African attitudes at the time, and a mere suggestion that there might be some human sympathy, let alone sexual attraction, between a white person and a black person, horrified many. There is also open discussion of the political and racial situation in South Africa. Along with his contemporaries and sometime collaborators Laurens van der Post and Roy Campbell, Plomer left South Africa soon after the publication of his novel. He settled finally in Britain, where he became known primarily as a poet.
Between the wars
Perhaps the dominant figure of South African
literature in the period between the two world wars was Sarah Gertrude Millin, whose reputation has faded considerably since her death. This is due to her politics: she was initially a devout supporter of Jan Smuts' government, but later became something of an apologist for apartheid. Her views on the "tragedy" of racial miscegenation were put forward in God's Stepchildren (1924). Seen in terms of racial hierarchies, with whites at the top and blacks at the bottom, Millin's views represented those held widely at the time. Her later novels continued to deal with the "predicament" of coloured (mixed-race) people in South Africa, or attempted to describe the world of indigenous peoples.
